Category Archives: Writing Craft

Writing Craft: What Happens Next?

March, 2024Blogging, Indie Publishing, Self-publishing, Series writing, Writing, Writing Craft, Writing locations, Writing tipsblogging, draft, editing, Manuscripts, tips, writing, writing craftcarolyn

Do you ever ask yourself, what happens next? My brother Phil shared a video with me the other day. He often does when he comes across something he thinks I may enjoy or find useful (thanks, Phil!). I only had time to watch a few minutes then, an interview with writer/producer Andy Guerdat. But right off the bat, his subject reminded me of a key element of storytelling: getting your audience to care about your story.

Guerdat talks about maintaining an audience/reader mindset when storytelling. He uses the three-word question: “What happens next?” as the storyteller’s tactic to engage your readers, keep them entertained, and keep your story from becoming formulaic and predictable. Those three little words should be at the crux of writing engrossing tales.

The video continued in a film-related vein, and I’ll be honest, at first, I didn’t watch the entire clip. Primarily because as soon as Guerdat mentioned that three-word question, I stopped and thought about the novel I’m currently drafting, Book 3 of the Treasure Quest Series.

I considered it great timing to have heard that question this week.

I’d been planning to post an update on where I’m at with writing Book 3. I planned to share how the work is going, what my hopes and expectations for this draft are. And, truthfully, I’m struggling a bit with how the work is progressing.

So those words, that question, “what happens next?” gave me pause and helped me spend some time mulling a key point of why I write: to entertain and engage, inform and divert and escape.

Hearing the question stated so succinctly reminded me where and how to focus my efforts as I continue writing my WIP.

At the moment, I’ve hit a few snags. But I also have written more consistently than previously. One of the reasons—though I’ve told myself time and again to “just spit out the first draft, damn it, things will be fixed in edits!”—is because I’m writing key scenes that are set in Ireland. While some description and details can be added later, other info is relevant to the story and its progression. Additional research needs to happen up front in order for the tale to progress logically.

And, truthfully, doing that research also helps spark unique ideas. That’s one part of writing (of many!) that I truly love. I can have an idea on which I’ve built parts of a story, but then new research helps inform a cooler, better solution/outcome. Love, love, love that!! Though, of course, that can and does change other elements of the tale, so it’s another reason editing is so crucial. The story still has to work with however the new information has changed it.

So, writing is a struggle to balance research, completion (of draft #1), and plot/pacing. But, with all of that said, I am making progress. Check out this photo of my basic plotline.

Writing Corkboard and What Happens Next? — Writing Corkboard with Green and Pink Notes

I finally had to put this together to see what I had left to write and where I had holes. Especially because Book 3 is just that, the third of the series, and it has many loose ends to tie together. This isn’t everything, but these are the main moving parts. The green post-its are what I’d finished writing last year, and the pink notes are what I need to write to have a mostly finished first draft.

The good news is, I’m all the way through the pinks except for the final four!! Yay!!! Which is not to say I’m done when I finish those, but that will leave me very close with the first draft. I will be soooo freakin’ excited when I get there.

But, as I mentioned at the start, the essential question (or one of them) is still key to remember and view from the readers’ perspective: what happens next? I’ll need to make sure I keep you, dear reader, engaged with my story and characters. And hopefully you’ll enjoy this next story as much as the first two!! Fingers (and toes and everything!) crossed!!

For those of you interested, I went back and listened to the rest of the ten-minute video clip. Guerdat had other useful, writerly tidbits he shared. Check it out here and let me know your thoughts in the comment section below.

Given a couple cool items I uncovered with my online explorations last week, I’m hopefully on a surer path to completing the first draft. And I think as long as I keep asking “what happens next,” I’ll be able to convey the excitement I felt at the beginning of writing this story. What does my ideal reader want? To be engaged and enthralled and maybe even enlightened just a bit. 😉

So, dear readers, I’d best get back to work, hadn’t I? I’ve more to write and more to surprise you with. Thanks for reading and supporting … and stay tuned! And stay in touch, too. I really appreciate your thoughts and comments, so please say hi below or drop me a line at carolyn@carolyngreeley.com.

Coffee House Writing Space and What Happens Next? — Coffee House Writing Space

PS–If you’re curious to journey back in time with me, check out this older post of mine It’s True, I Do Exist. But TB Is Half Missing. – The Mystery of Relevance (carolyngreeley.com) from when I was writing Book 2, Treasure Bound. Oh, how the times have not changed! 😉 I’m still asking, what happens next?

Writing and the Benefits of Critique Groups

September, 2023Editing, Self-publishing, Uncategorized, Writing, Writing Craft, Writing tipsaccountability, Critique, critique groups, editing, Gratitude, motivation, writing, writing craftcarolyn

There are many benefits to writing critique groups. I’m a massive fan of them, as you may’ve noticed from previous posts (and book dedications 😉). First and foremost, I hugely appreciate the accountability aspect of meeting weekly to share my work with other writers. That goes a long way toward engaging my creative muscle and keeping me motivated to write.

Writing is largely a solitary art form and occupation. But there’s also the need for feedback on your work and support from fellow writers. Some authors excel at working solo; others thrive with human interaction. I’m sort of a mix, an introverted extrovert. I enjoy working on my own with minimal supervision and distractions, but I absolutely need and value the input of my writing colleagues.

Even though I love writing, (maybe too much? 😉), I find it very challenging at times. Writing, especially for an audience or to sell your books, is both a joy and an act of will at times. The discipline needed to sit and create is huge. Adding to the pressure, I self-publish my books. Which means I set my own deadlines and strive to achieve them without the incentive of formal, real-world repercussions. There are, of course, those personal penalties my brain dishes out in the form of self-castigation, but let’s not linger on those. 😉

And for me, as for many, though the desire to create is always there, the creativity itself, the spurt of inspiration, the flood of words, is frequently and frustratingly elusive.

Sometimes, I just don’t have the energy or resourcefulness to motivate myself all on my own. Sometimes, I need the enthusiastic shove in the bum that my writer pals have given me over the years. When I feel I’m slogging along, spewing garbage, caught up in all the craziness of everyday life, their encouraging, insightful words are more galvanizing than anything I can do on my own.

Enter the Critique Group.

Yes, critique groups can be a challenge to find, join, start, and fill, but the benefits are considerable when you discover the right fit. Mind you, there are loads of blog posts about how to find and/or form your own group. Here’s a link to a thorough article on Novlr.org that covers many of the steps: Writer’s Critique Groups and How to Form Them – Novlr.

There’s also a good bit about these groups that’s helpful to understand before participating. To that end, here’s another good, longer read that dives into the pros and cons: The Truth About Critique Groups. Lessons learned by writers on the many… | by Teri Daniels | The Writing Cooperative.

So, what’s my story? When I first began to seriously write and edit, I found a couple of local writers’ meetings to participate in. Though large, infrequent, and multifaceted, they taught me many writing basics, and those general meetings were the jumping-off point for finding my first critique group.

Over the years, the first group slowly evolved into the second, and the second unfortunately dissolved as members stopped writing, drifted, or passed away. Ah, life. Some would say the transitions are inevitable. They were precious to me, though, and I’m forever grateful to you guys for everything … you know who you are!

Through those first two forays, I learned not only how to write better, but also how to more usefully interact with other writers, readers, and editors.

I learned the discipline of sharing weekly writing, I grew a thicker skin with the helpful criticisms I received, and I discovered how to offer positive assessments to others and what to look for in their writing. So, I became both a better writer and a better reader and editor myself. In short, I learned a lot.

Now, after a couple years of mayhem (AKA, life), I’ve started a new group. We’re fledgling still, but we’re beginning to find our own groove, our own rhythm. And everyone is so enthusiastic … it feels great to once again be part of a band of writers who want to help each other improve their craft. I’m grateful to start this next journey with these guys (and you know who you are!).

So, where am I going with all this? Having these weekly critique meetings forces me to plant my butt in the chair and either write or edit. Every week. (I can’t say every day, because though tons of fab authors/writers do write every day, I don’t want to force my writing until I hate it. My discipline is to produce working material every week, Monday to Friday.)

Knowing I have an external deadline, and interested, encouraging partners who want to read my work, is what keeps me accountable and keeps me motivated to produce. And the more productive a writer I am, the more the creativity flows and the smoother. Like lubricating the lovely creative cogs.

So, for those of you struggling with the discipline, maybe it’s time you find a critique group. More so than the general, all-encompassing writers’ groups, you may just find a circle of supportive, encouraging, thoughtful, and inspiring writers who motivates you to keep your bum in the seat, and who gives you the straightforward means to stay accountable. This is huge for me. Let me know if it is for you, too … please drop a comment below! Happy trails to you and keep writing! 😉

Before I sign off, in a similar vein, here’s a link to an old post of mine about finding a mentor. This is another great way to work with someone who’s been around the block and can teach you more about writing and the business. Keep this in mind!

Writing Craft: Creative Shifts and Shorts

June, 2023Blogging, FWA, New opportunities, Refresh and reset, Writing, Writing Craft, Writing locationsblogging, short story, writing, writing craftcarolyn

Life really runs just so smoothly, right? Nah! I began writing this post in May, the month celebrating the Short Story. I planned to blog about changing formats to challenge your growth as a writer, in my case, writing shorts instead of working on my usual long-format novel. You guys know I can’t resist stretching my chops and working on writing craft.

But, now it’s June. I’m just posting this, and all I can do is chuckle. And grab a cold glass of something refreshing. Because here in Florida, the temps are rising, and summer has hit the ground running.

Despite the heat, I love to write outside on our screen porch, which is a tad cluttered—read: tools, coolers, spare deck chairs, and general et cetera—but the view of our jungle (AKA, the backyard) is great for a creative boost.

And oftentimes a change of scenery, even a small one like moving from office to porch, can make a big creative difference. As I write and study the craft, anything that can enhance creativity helps. Sometimes, that’s a scenery shift, sometimes a format change to write something brilliant and brief.

It’s from the wacky screen porch that I wrote two short stories these past two months. And guess what? One of those stories has been selected for publication in an anthology. Woo hoo! You might recall I mentioned the Florida Writers Association Collection contest. The contest is open to poetry and short stories of up to 1200 words, a length which is definitely not my strong suit.

This year’s Collection theme was the unignorable Secrets, so I decided to submit a piece. I have entered this contest in the past, to no avail. But you only get better with practice, and that’s definitely true of writing craft.

You all already know I primarily write novels. Long, descriptive, but hopefully compelling, page-turning novels. I love to plunge into action, adventure, characters’ brains and emotions, food, travels, all that good stuff that drives a reader through every page. Novels are my happy place.

So, for me to shift to writing a short story is a real trick, and one I’m working on doing better. Because the thing is, a short story is basically a very short novel, meaning, that tiny piece of writing must contain all the elements of the novel with thousands fewer words. Yikes. By contrast, my novels run in the 70-90,000-word range. You can see the challenge this presents for a writer like me.

And maybe now you can see the appeal, too. Every author wants to improve, wants to hone their writing craft and make it readable, enjoyable, or gripping. I’m pretty okay (so I’m told) at putting together decent imagery, fun vignettes, things of that nature. If you’re keen, I post some of those under the Writing Snippets section here at my site. But they’re not all short stories, with a story arc, character development, conflict, etc. and the other elements of a true SS.

Writing the shorts these past months really challenged how I wrote, what I wrote about, and how good my recall of Grammar 101 was (it wasn’t!). ;P So, I hit some hurdles while working on my submissions. But the experience of writing a full story, succinctly, was excellent. If you’re interested in some smart tips for writing shorts from uber-knowledgeable folks, follow these two links to learn more: Writer’s Digest and Grammarly.

I can say honestly—especially after hearing about my anthology contest selection—that the experience was really worth the effort of writing something outside my wheelhouse. It sure helps when that effort is rewarded.

I haven’t heard back yet about the second contest I entered, for AutoCrit, so I’ll stay positive on that score. Once the judging ends and all the legalities are sorted, I’ll share the news.

In the meantime, this creative shift should help me refocus as I return to writing Book 3 of my series. Sometimes all we need is that bit of clarity that comes from a change of perspective.

Thanks again for visiting. And please let me know in the comments how you like to mix things up with your writing craft. Would love to hear what works for you!

Why I Decided to Self-Publish: An Indie Author’s Perspective

October, 2019Blogging, Editing, Indie Publishing, Publishing, Self-publishing, Sequel Writing, Series writing, Time Management, Traditional Publishing, Writing, Writing Business, Writing CraftAuthor, Book Cover Design, Craft, editing, Indie author, Manuscripts, Mentoring, Persistence, Reading, Writing lifecarolyn

I have exciting news, readers: my second novel, now OFFICIALLY named Treasure Bound, will be published this month! Woo hoo! The road to publishing this book, the sequel to Emerald Obsession, was long and jarring, so I’m all the happier for its coming release.

The preparation these past months has been tedious. As an indie author, tackling the essentials of pre-publication—like editing, conferring with the Library of Congress, obtaining ISBNs, designing the cover—is crucial and a tad nerve-wracking (and ultimately very worth it).

A fun exception to the nervy parts is that while tackling those tasks, I encountered a number of curious folks who asked why I decided to self-publish. Well, that question got me to thinking. 😉 Considering I blog about the writing life, I realized I had a great topic to share with my audience.

If you’re trying to make the indie-vs-traditional decision for your book, spend some time discovering what your goal is and who you want to reach. Why do you want to send your story into the world? Many factors will weigh in on your final decision, as they did for me. But figuring this out, or at least giving thought to your goal will offer you a good starting point.

My original decision to self-publish came about eight or so years ago, prior to the release of Emerald Obsession, and I haven’t once regretted that choice or changed my mind. Before I scoop you on why I chose indie publishing, I’d like to share something that not many of you know. When I wrote my first (still-unpublished) novel, Blind Notice, I decided to try the traditional route. Self-publishing, while not in its infancy back then, was still fledgling, full of tricky bits, and daunting.

Let me add a couple of quick points here for consideration: first, for anyone with a connection in the industry, absolutely ask for their input and advice. So many good things can come from a mentor, or someone able to direct you to the right source for help. The experience and wisdom of those who’ve traveled a similar path is invaluable.

Second, totally my gut feeling, but I truly believe any writer looking to put her- or himself out there should try the traditional path, at least for a short time, to experience that process regardless of the outcome.

Back to my “traditional” journey: I researched and found receptive agents in my genre, wrote and rewrote and polished my query letters, kept an Excel file of my efforts, and then received a number of polite rejections. That taught me a ton about persistence and belief in myself. But the whole process felt like it took an eternity to receive constructive feedback.

You know by now I’m someone who likes to learn and experience things. So you understand why I wanted to pursue traditional publishing, even knowing I was competing with scores of other mystery writers, vying for the attention of a small group of agents, and then publishers. And, ultimately, I failed.

But through all of that, I continued to work on my craft. During this time, I began writing EO. I was dealing with the death of my cousin, who had been my biggest champion (and not dealing well, I have to add), and I felt the driving need not to waste precious time waiting on other people. I grew frustrated with the length of time it would take to make any publishing progress, and I became determined to keep the fate of my work in my hands.

And that’s when I began to seriously research self-publishing options.

So, what made me commit? The short answer was (and still is, despite how long TB has taken) the speed and the control of the process. For me, those two items are intertwined, so I don’t rush either one. And now, for authors looking to earn a living writing (eventually, please, God and fingers and toes crossed!), there are broader opportunities available with self-publishing.

Even so, a ton of work and time goes into producing a quality book—and considering my desirousness of becoming a world’s best-selling author 😉 —I really, really do my best to make sure the work is done, and is done with the highest quality possible. Of course, by that I mean I pay the pros to edit my manuscripts and to design my book covers.

To be treated as a professional author, my book must meet or exceed the professional standards of any other. The writing must be the best I can make it, the book must have an experienced editor review it, and the cover must be the most compelling sales tool my designer and I can create.

There are a lot of “musts” in that paragraph. But those are the requirements of the professional world, so they’re my requirements.

With constant change in the industry, traditional publishers are mandating their newbie authors handle the bulk of their own marketing. This is the other reason I chose the indie route. I’m not a huge fan of plugging the books myself, but I believe in my stories, and so I will. But with having to manage the marketing in both cases, I’d rather retain the creative control and ownership of my timeline that comes with self-publishing.

So the best thing for me is to continue to write at my own pace, produce the books I want to read, publish them myself as expertly as I can, and keep on writing.

And that’s the trick, my friends. For those who want to write, keep on doing so. Writing more will make you a better writer. So will reading more. Sharing your words with critique partners will also make you better. And becoming better will make you want to share your gift. I say, go for it!

But before you go, haha, you may want to check out this post, “Should You Self-Publish Your Book? 5 Essential Questions to Help You Decide,” from a website I enjoy, thewritelife.com. The author, Blake Atwood, has relevant advice to help you decide which choice would be best.

One last thought: whichever path you choose, and for whatever reasons, don’t forget you may need to reassess at some point. Or consider new options. Try to stay true to the path that makes sense for you and your goals. If an agent or traditional publisher knocked on my door, would I answer? Sure, I’d let them in and see what we could work out; after all, there’s that whole “world’s best-selling author” thang for me to consider. Haha. 😉

Which choice will you make? Tell me in the comment section below, or directly at carolyn@carolyngreeley.com. Would love to hear from you. 😉 Happy writing and reading, all.

PS—Stay tuned for Treasure Bound release details and cover reveal! Coming soon!

Missing? Yes. In Action? Oh, Yeah.

July, 2019Blogging, Editing, Indie Publishing, Publishing, Self-publishing, Series writing, Writing, Writing Business, Writing Craft, Writing timeFront matter, MIA, Publishing requirements, Revisingcarolyn

Wow, it’s been an incredibly long time since I last blogged. Do you guys even remember who I am? I hope so. I haven’t (really) gone anywhere. And I certainly didn’t mean to go MIA without explanation. That, however, is exactly what happened.

I’ve worked in a number of different types of jobs and environments in my life. Regardless of the setting, though, one big thing is required of all:

You have to show up and do the work.

But I can honestly say that as much as I love to write, showing up every day, doing the work, is so much harder because it’s a creative endeavor.

Not hard as in “sit down and let my fingers do the talking,” but hard as in composing, producing, saying something meaningful. I’m a writer, yeah? But I’m only as good as the words I use to communicate and the things I wish to say. Readers are overloaded with choice, so the struggle to say something relevant—say it creatively, purposefully—is real. And daunting to tackle on a daily, weekly, monthly basis.

So, yeah, sometimes instead of penning nonsense, I don’t write at all. Or more specifically, I don’t share my words with the public. There are tons of authors who can argue the benefit of writing daily; that routine just isn’t me, isn’t what I can or want to make the time to do. I’ll say this, though, which I’ve potentially said before and likely will again: writing well takes practice, and I know I become better the more I discipline myself. My skills don’t necessarily regress when I’m not corralling words, but in neglecting the words, I know my craft is idling instead of improving.

Back to that “not writing for public consumption” thing. That’s been the case these past few months of no blog posts. No apology, simply flat-out truth: I haven’t blogged lately because I’ve been working hard to finish the self-edits for my second novel. And in my non-author-y life, I’ve dealt with a number of bad things, a few tough-but-good things, and one very wonderful thing in the past half year. As ever, lots to juggle.

How about we gloss over those other bits for now (heh-heh-heh, writer’s prerogative) and focus on the first part: my fifteen zillion rounds of personal edits for Book 2, Treasure Bound, are DONE! Can I get a woo hooo?

Yes, it’s true: after all those additional years of writing, rewriting, and editing, and then hitting up a few trusted beta readers, I finally packed up my manuscript and shipped it to my editor (you know, via email). Now, I’m chomping my fingernails, researching new cover designers (can’t afford the increased price for the guys who did such a great job on my first book), and re-familiarizing myself with the necessaries for publication, things like formatting styles, ISBNs, LCCNs, BISACs, and the rest of those fun requirements. (For some fab info on the topic of self-publishing, check out Jane Friedman’s detailed blog by clicking here.) Good thing memory serves, as do the notes I took copiously the first time out. Whee.

While I await the feedback from my editor, I’m doing my best to get back to writing my blog and brainstorming BOOK 3!!! Because, yes, Virginia, there is a Book 3 lurking somewhere in my brain’s nether regions. Though I added another six thousand words to Treasure Bound since my August post (yippie!), I still have more story to tell. And I hope people enjoy Book 2 enough to stick around for the rest of the ride.

And now, readers and friends, what’ve you got to say for yourselves? Are you still out there? 😉 That’d be great, for sure. I hope you’ll let me know what you’ve been up to these past months, either in the comments section below or by email. You know it: carolyn@carolyngreeley.com. Hope to hear from you soon.

PS—The plan is to publish Treasure Bound later this year, so stay tuned. Woo hoo!

Creepy Scary Stories

October, 2018Halloween, Reading, Scary movies, Scary stories, Uncategorized, Writing, Writing and Emotions, Writing Craftblogging, Film, Halloween, Inspiration, Movies, Reading, Scary stories, writing, writing craftcarolyn

Happy October, dear friends and readers! I’m so excited for this month, because I love Hallowe’en and spooky things. If you don’t believe me, zip over to my About page and check out the lead photo. See what I mean? Haha. Love it!

And since this is the month of creepy good things, I decided to share some of my favorite scary stories, both written and on film. Time for a little levity in my blog, right?

While writing this post, I stopped for a moment to try to figure out why my Hallowe’en fascination has persisted over the years. I always loved dressing up and spooking for candy as a kid, and I still love the holiday today. And you know what? I didn’t come up with a good answer. Regardless, I love Hallowe’en and scary stories very much.

The one thought I had, though, was this: I’m no psychologist, but I gather there’s something to be said for enjoying a good scare while knowing you’re safe and that what you read or watched was fiction. Unless, of course, you’re into non-fiction!!! BOO!

And thinking about it, not everybody enjoys a good scare the way others do. My hub included; he does not like scary movies. And while I sure do enjoy many, I fully admit there are certain tales I don’t like and won’t read or watch. For example, I don’t watch torture movies (I’ve seen a couple, and not cool IMHO). I’m also not a fan of sad-scaries. And, ghoulish movies and stories that could possibly happen do sort of freak me out. 😉

But that said, there are scores of other well-crafted spooky stories I enjoy. Most of them of the suspenseful-thriller-moody-tension variety.

And so, I look forward to October every year, and this time’s no different. And just to set the tone, as I write, the sky has darkened to soot, flashes of lightning streak beyond the towering pines, thunder rolls almost as loudly as the drowning rain. I have the big house to myself. The doors are locked. So … here we go. In no particular order, here are some of my favorite scary stories! Happy Creeps!

Books:

Rebecca, Daphne du Maurier
The Tell-Tale Heart, Edgar Allan Poe
The Turn of the Screw, Henry James
The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson
The Picture of Dorian Gray, Oscar Wilde
Ghost Story, Peter Straub* caveat, currently reading
The Legend of Sleepy Hollow, Washington Irving
Heart-Shaped Box, Joe Hill
The Diary of Ellen Rimbauer: My Life at Rose Red, Joyce Reardon
Dracula, Bram Stoker

To read: The Haunting of Hill House, Shirley Jackson

Movies:

The Uninvited, 1944
Psycho, 1960
Scream, 1996
Halloween, 1978
Poltergeist, 1982
Invasion of the Body Snatchers, 1956
The Shining, 1980
Silence of the Lambs, 1991
Nightmare on Elm Street, 1984
The Thing from Another World, 1951
Jaws, 1975
Rosemary’s Baby, 1968
Alien, 1979
The Birds, 1963
Ghost Story, 1981 *quite different than the book
The Changeling, 1980
The Fog, 1980
Them, 1954
Carrie, 1976
The Blob, 1958
The Amityville Horror, 1979

To see: Get Out; A Quiet Place

So, reader friends, what do you think? Which is your favorite scary story, and did it make my list? Which ones are you going to read or watch next? Mwuaaah-ah-ah-ahhhh! Hahaha. Let me know in the comments section. And try not to be too scared! BOO!!

PS–If any of you want to hear something truly scary, yesterday at one of the local stores, I walked past a humongous display of Christmas trees!!! True horror!!

PPS–Also, looking over the lists, you might notice I tend toward older stories. Reading-wise, I typically stick to the mystery genre in which I write, and movie-wise, I guess I just don’t get out that much. 😉 At least, not with the hub for a scary movie! Haha. Happy Hallowe’en!

A Writer’s Refresh

August, 2018Blogging, Editing, Indie Publishing, Publishing, Refresh and reset, Sequel Writing, Series writing, Writing, Writing Craft, Writing timeblogging, editing, Indie Publishing, Learning, management routines, Publishing, Refresh and reset, writing, writing craftcarolyn

Sometimes, I need to hit the refresh button. Both in life and in writing. How about you? These past few months, I’ve been pinballing fast once again. (Not that I’ve ever really stopped, I suppose.) 😉 But, rolling with that “work in progress” thing I’ve got going, I do my best to keep up.

But then you realize, it’s time to pause and flick that switch.

Pause

On the happy side of the zigzagging, I have some good news: I haven’t been idle writing-wise on my book. If you guys recall, it was a year ago June that I had my first cow, (click here in case you missed that blog), when I realized about half of my sequel novel to Emerald Obsession remained written only in my notebooks and my brain and not on the computer as it should’ve been. Oy, I tell ya! Then in February, I described my mini cow, which you can find by clicking here.

But on the plus side is that for these past few months, I’ve been writing away—yes, writing on the computer and adding to—the sequel, still lovingly referred to as Treasure Bound. And guess what?

I’ve added 19,000 words to the story! Woooo hooo! Which means I’ve finally gotten much of the secondary plot line from my head into the Word doc. YAY!! I’m so pleased!

But, okay, this isn’t the time for me to rest on my laurels, per se. This is simply my reset period. I still have tons of work to do. But………….I’m happy to feel I made the kind of progress I needed to at this stage.

My next step, and part of the refresh and reset—which I’m currently in the midst of, hence having time to focus on this blog—has me putting aside the edits for a couple of weeks to clear out my brain. (Not of everything, I hope, but of just enough to give me a breather from focusing all my writerly attention on TB.)

After these weeks are up, I’ll print out the current TB, and then I’ll reread EO and TB as quickly as I can in succession, looking for any holes and inconsistencies, checking flow, and overall reviewing everything. After that, if things go smoothly (please, please, please, and fingers crossed!), then it’s on to the next stage of professional editing. Whee!!!

But once again………let’s not put the cart before the donkey. (BTW, I love donkeys, check out this Instagram feed if you do, too.) I still have a few points rattling around my brain that might need to become minor scenes or added info bits. I’m definitely prepared for the possibility of more tweakage. That’s one reason I need this reset; to detach my brain from the project so I’m able to sharpen my focus when I return to reviewing the story.

Also, since this is Book 2, with Book 3 still to come, I have to look forward to the next story and build into TB any relevant details and teasers. Whee again, but not in the good way; this is more like: “Whee, what the hell was I thinking when I decided to write a series??!!”

All I can say, though, is I’m committed now. Or wait, is that supposed to read: “I should be committed now”? Probably. The men in the white jackets are waiting behind me to carry me away. Here we go again.

Just kidding already. What I really mean is I’m committed to telling you good stories, ones I hope entertain, excite, and engage you. If that takes more time and research than I’d originally planned so be it, as long as the outcome satisfies me and you. Thanks for your patience on that score.

Well, dear readers and friends, that’s about all she wrote for the time being. I’m not heading back to edits just now—whew, what a relief to say that’s done for the moment!—but it is time for a little walk to free the brain for some Book 3 brainstorming. Hmm … I’m finally excited to get started again. Yippee!

Before I go, tell me in the comments section below how you reset. Writing-wise, this was something I couldn’t do until the timing jived with completing a certain portion of my writing, but personally speaking, we all need periodic resets, too. Last week, I took my first, solo Me Day in years. It was fabulous and so necessary. Perhaps I’ll blog on that soon, too. In the meantime, I’d love to hear what you do to reset, so please fire away. Thanks again for reading and joining the convo.